Description
Course info
Level
Intermediate
Updated
Jan 3, 2011
Duration
1h 12m
Description

In this series of NUKE tutorials we will learn how to key a greenscreen using multiple layers to capture as much detail as possible. Using multiple layers and keyers, we will be able to focus our efforts and create a better final matte. We will begin the tutorials by importing our footage into NUKE and analyzing the job ahead of us. Then we will create garbage masks to break apart our person into manageable pieces. We will then add Keylight effects to our layers to create an initial key. After that, we will analyze the best way to remove noise on each layer. Then we will fill in our alpha by creating a core matte. Finally we will focus on the hair and all the detailed roto and keying work involved. We will complete the tutorials by doing some heavy-duty rotoscoping work on the bottle. Software required: NUKE 6.1v3 and up.

About the author
About the author

Chris is a VFX author at Pluralsight. Along with creating and recording training, he also manages the support team and works closely with the production development team. He began his career working freelance and quickly realized that he wanted to find a company where he could use his talents to help people succeed in the CG industry.

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Section Introduction Transcripts
Section Introduction Transcripts

Introduction and Project Overview
[Autogenerated] Hello. I'm Chris with digital tuners in this series of lessons will learn how to keep a green screen using multiple nodes to capture as much detail as possible. Inside, Nuke, using multiple rodeos and key ears, will be able to focus our efforts and create a better final match. We'll begin this project by importing our footage into nuke and analyzing the job ahead of us. Then we'll create garbage masks to break apart our person into manageable pieces, will then add key light note to create an initial key. Then we'll fill in our Alfa by creating core outer and inner mats. After that will analyze the best way to remove noise on each layer. Finally, we'll focus on the hair and all the detailed rodeo and key and work involved will complete the project by doing some heavy duty roto scoping work to finish our composite. This series of lessons will illustrate how we can go beyond using a single key light or a single keer to solve our Korean screen problems. This will allow us to create mats that capture much more detail and achieve a much higher degree of accuracy. So with that, let's go ahead and get started