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Creating Low Resolution Environments in Maya and Photoshop

In this series of lessons, we'll go through the process of building and texturing a disused sci-fi environment. Software required: Maya 2011, Photoshop CS3.

Intermediate
5h 52m
(2)

Created by Justin Marshall

Last Updated May 01, 2018

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  • Course

Creating Low Resolution Environments in Maya and Photoshop

In this series of lessons, we'll go through the process of building and texturing a disused sci-fi environment. Software required: Maya 2011, Photoshop CS3.

Intermediate
5h 52m
(2)

Created by Justin Marshall

Last Updated May 01, 2018

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What you'll learn

In this series of lessons, we'll go through the process of building and texturing a disused sci-fi environment. Creating believable environments comes from an efficient combination of 3d models and textures. Depending on the purpose of the set, detail can be created through the use of actual geometry, or we can add detail strictly through texture maps. For this project, we'll build a disused sci-fi environment. We'll start the process by building the geometry for the environment using a variety of modeling tools. Once the geometry is completed, we'll create uv layouts for the different pieces that will allow us to minimize the number of texture maps needed. Once the UVs are complete, we'll look at a number of ways we can create different textures in Photoshop. Although you can follow along with the project, there will be a number of opportunities for you to really customize your environment and once we're done, you'll be able to apply what you've learned to your own work. Software required: Maya 2011, Photoshop CS3.

Creating Low Resolution Environments in Maya and Photoshop
Intermediate
5h 52m
(2)
Table of contents

About the author
Justin Marshall - Pluralsight course - Creating Low Resolution Environments in Maya and Photoshop
Justin Marshall
318 courses 4.7 author rating 1814 ratings

Justin thrives as a lead modeling author at Pluralsight. Growing up, Justin found a deep interest for the computer graphics industry after watching movies like Jurassic Park, Toy Story and The Abyss. His ambition would lead him to work at Sony Imageworks in Los Angeles on movies like Monster House and Surf's Up. Justin has also had numerous articles, tutorials and images published in 3D World and 3D Artist.

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